Flames Get Higher (2026)

This sculptural assemblage explores the architectural and social ritual of the gathering structure,
taking conceptual cues from the tradition of the Celtic Beltane pyre.

Built from a dense interplay of found domestic objects, sports equipment, and structural framing,
the piece translates communal ritual into a study of pure form.
Drawing directly on a background in design and technical draughtsmanship,
the work precise linear compositions and structural tension turn discarded everyday items into a singular focal point for collective gathering.

Materials: Found objects, Steel Armature, Ratchet Straps, Found cables, ropes and zip ties.