Flames Get Higher
(2026)

This sculptural assemblage explores the architectural and social ritual of the gathering structure, taking conceptual cues from the tradition of the Celtic Beltane pyre. Built from a dense interplay of found domestic objects, sports equipment, and structural framing, the piece translates communal ritual into a study of pure form. Drawing directly on a background in design and technical draughtsmanship, the work precise linear compositions and structural tension turn discarded everyday items into a singular focal point for collective gathering.

Materials: Found objects, Steel Armature, Ratchet Straps, Found cables, ropes and zip ties.