My Body is a Bouncy Temple (2025)

Performance, Installation

A colorful, abstract sculpture with various shapes and vivid paint splatters, set against a brick wall and large window at night.
A healthcare worker wearing scrubs, a face mask, and a lab coat stands beside a large, abstract art installation resembling a giant, painted sculpture. The sculpture is painted with splashes of orange, blue, and white colors. There are people sitting or lying near the sculpture, and a person with dark curly hair with their head resting on the floor.
Indoor scene with colorful deflated balloons and a woman wearing a blue mask and head covering, standing near a brick wall and glass windows.
People wearing protective masks among large, colorful, abstract painted sculptures resembling castle-like structures.
Colorful, abstract, three-dimensional sculpture with painted and textured surfaces, placed against a brick wall.
Multiple inflatable red and orange objects, possibly an art installation or decorations, are arranged on a black speckled floor against a brick wall. Several hands are visible, reaching or holding the inflatables, and a person with curly hair and a red jacket is also partially visible.

Our project began with an exploration of anatomy and the historical point where art and science intersected. To ground this research, we spent a week visiting three key institutions: The Hunterian Museum, The Wellcome Collection and the Science Museum in London.

Each morning we studied how the body has been classified, displayed and interpreted across time. In the afternoons we returned to our own bodies through training at Stars Gym, using movement and breath to reconnect with physical weight, rhythm and limitation.

From this research we developed a group project titled My Body is a Bouncy Temple. For this work we bought two bouncy castles and painted them in flesh-like tones, creating a soft, child-like vessel through which to examine how the body responds to environment. Our aim was to invite our community into a spectacle of the organ and a space of chaotic play.

Training at Stars Gym made us increasingly aware of institutional ideas around meaningful movement, particularly the emphasis on efficiency and productivity. This led us to bouncy castles, where movement is shaped by collective joy rather than optimisation. Their unpredictability allowed us to challenge the controlled expectations placed on bodies in institutional settings.

The castle became a playful organ, and through performance our bodies acted as cells bouncing within it, accompanied by doctors ready to operate.-

Project Collaborators: Gemma Barr — @gemmabarr_. Nyoungjun — @nyoung_jun. Qinyi Li — @qinyi.ching. Dulcie Davy Usher — @dulcie.davy. Zhuoyuan Cao — @llleo66_66. Tianhao Pang — @hakuna_tianhao. Shuqi Kang — @sukie_kkang. Abigail Samuel — @abijoysamuelart. Cosima Bucarelli — @cocosimaas. Zhehe Li — @900zhl. Runqi Wen — @r0wen00. Mila Tsarkova — @milatsarkova. Pamella Gomes — @pamella.f.p.gomes

Text and Images by Shuqi Kang - @sukie_kkang