Album x Assemblage (2026)

This series of five assemblages serves as sculpture and performance, exploring Mihaly Csikszentmihalyi’s research on the flow state.
Each structure was built entirely within the runtime of a single album, transforming the assembly
into a high intensity labour performance where the body must keep pace with the music.
This time bound endurance acts as a direct physical meditation on manual labour, echoing the relentless pace experienced by the workers who handle our consumer debris daily.

Utilising around 100 discarded objects from a seven month scavenging archive,
the sculptures function as a radical reactivation of debris, treating the materials as vibrant matter.
This work is an aggressive investigation into gravity, balance, and spatial precarity.
By forcing the structures to occupy different dimensions, such as hanging from the ceiling, mounted on the wall,
balancing on a chair, or piled on the floor, the process tests how waste can actively invade, disrupt, and claim different versions of space.